Plush pile for plush Sydney restaurant
PROJECT:
Becasse and Quarter Twenty One
DESIGNER:
Mark McConnell, Mima Design
CARPET:
Velluto Plush Pile
"Cavalier Bremworth broadloom carpets
were used exclusively throughout this project, because they
complemented the mood and ambience that was desired for the
restaurant interiors, were durable, affordable, and readily
available within the short project lead time."

Mark McConnell of Mima Design in Sydney has created an exciting
new food emporium for culinary duo Justin and Georgia North in
Westfield Sydney. The 600 sqm site includes a new location for
award-winning restaurant Bécasse, and a new 70-seater restaurant
named Quarter Twenty One, with an associated cooking school, and
retail shop.
What inspired the entranceway to Becasse?
We wanted to provide a magical experience for clients entering
and leaving the restaurant. An 'Alice in Wonderland' effect was
created along the 23m corridor with the use of an arbor of foliage
climbing along the walls and across the ceiling, gradually changing
colours to echo the seasons from Spring to Winter. It sets the mood
for the unique dining experience created by Bécasse.

What were the key materials used and why?
The heritage facade of Sandstone walls and arched windows were
restored to their original beauty, creating a distinctive feature
within the intimate Bécasse dining room. Oval dining tables covered
in Ostrich leather are hugged by curved banquettes in plush velvet.
A unique artwork by Studio Ham celebrating taste buds, with peep
holes looking into the chef's table, adds whimsy and surprise.
Chandeliers subtly illuminate the boudoir dining room.
The elegant private dining room is perfect for special events. A
playful light installation by lighting designer Tim Barry frames
the head of the large dining table. The heritage facade continues
in the private dining room, with plush seating and luxurious
carpeting.
The Quarter Twenty One restaurant has a dark ambience, with a
rustic wine display and a pressed metal ceiling. Custom designed
pendant lights are scattered across the ceiling, creating tonal
shades of copper which add warmth and accentuate the bronze hand
printed wallpaper and spotted gum timber walls. The wool
carpet melts beneath your feet, adding to the opulent feel of the
restaurant.
Why did you opt for carpet instead of a hard floor for
the restaurants?
Acoustics was our primary reason. The shopping mall is
very shiny with lots of hard surfaces, and you are bombarded with
noise. We needed to create an ambience that allowed the mall
to drift away, taking the customers into another dimension, as far
away from the typical Westfield buzz. The second reason was
touch and feel. Transitioning from hard marble to soft carpet
creates a sub-conscious reaction, your body recognising comfort and
warmth, and that you have arrived somewhere special. I also
feel that you slow down a little more when you walk onto carpet,
which is exactly what the dining experience needs to provide,
allowing you to escape and relax from the daily grind.
Why the choice of a plush pile for Becasse, its private
dining room and the entrance corridor?
We just wanted a simple velvety look to
the carpet. Softness underfoot, and it had to look smart
without being too residential. The dark colours were chosen
to add depth to the space and we didn't feel the need to draw too
much attention to the floor as we had the arbor concept that people
needed to be distracted by as they walk down the 23m corridor.
We loved the deep brown richness to the carpets - also a
practical choice given the environment.
Why wool?
Justin is a big promoter of using local produce
and all natural ingredients, so a natural fibre was preferred.
Justin is from New Zealand, so it's a nice little connection.
Photos by Anson Smart.